LONGING FOR THE PAST – now available!

(Re-posted from Haji Maji)
Haji Maji has been dormant for some time now, and here’s the reason why – the last two years have been occupied with completing a project of epic proportions, which I’m happy to announce is finished and is officially released today (October 1st)!
Longing for the Past: The 78 rpm Era in Southeast Asia is a 4 CD set with 90 tracks that span six decades of 78 rpm recordings from Burma, Cambodia, Indonesia, Laos, Malaysia, Singapore, Thailand, and Vietnam. This project is being published by the wonderful folks at Dust-to-Digital, and because of their usual commitment to quality design, I was able to push the limits of what a 78 rpm reissue set can be. The CDs are accompanied by a 9″x 6″, 272-page hardcover book that has over 250 images of record labels and sleeves, and vintage photographs of Southeast Asian musicians. The CDs and book come housed in a handsome slipcase.

Longing_photo 02_web


Longing for the Past is the first reissue set to survey the traditional music of Southeast Asia. It includes essays on the record industry in Southeast Asia, as well as chapters on the music of each country, plus annotations for each of the 90 tracks. One of my goals with this project was to provide a deeper analysis of the music itself, something that I feel is often neglected in reissues of world music from the 78 rpm era. I think that is often due to space constraints or the fact that the producers are often collectors, rather than musicologists. Although I’m a musician myself, I knew I wasn’t qualified to write about the musical intricacies of Lao village music or Cambodian Buddhist chanting. Therefore, I enlisted the help of specialists to tackle the different regions; Terry Miller (Cambodia-Laos-Thailand), Jason Gibbs (Vietnam), Kit Young (Burma), Sooi Beng Tan (Malaysia-Singapore), and David Harnish (Indonesia). The notes on each track cover general material, but often dig deeper into the modes and scales employed,and other details of the music. Likely deeper than the casual listener requires, but it’s there for those that care!

This project would not have been possible without the help of my many collaborators. Terry Miller was the man that really made this possible. We started working on the material from Laos in 2008. Not only is his knowledge of Thai and Lao music vast, he was helpful beyond the call of duty when it came to finding folks with that secret bit of knowledge we were searching for or someone who could provide an elusive translation. Jason Gibbs, Kit Young, Sooi Beng Tan, and David Harnish also contributed a huge amount of time and effort in putting the written material together. Thanks to all their colleagues who assisted them as well. Jonathan Ward (Excavated Shellac) was a great help and huge inspiration. He transferred almost all the tracks, and lent me nearly a dozen tracks to include. Thanks to Michael Robertson and Will Summits for lending a few sides from their own awesome collections. As always, Michael Graves did a fantastic job on the sound restoration and mastering. The tireless research of Pekka Gronow, Michael Kinnear, Philip Yampolsky, Ross Laird, Hugo Strotbaum, Paul Vernon, Pat Conte, Chris Zwarg, and many others, either through published work or private communication, allowed me to paint a picture of the record industry in the region. Thanks to my wife, master book designer Debbie Berne, for design consulting and Amy Armstrong at Asia Pacific Offset. Lastly, thanks to Lance and April Ledbetter of Dust-to-Digital for making the project happen.

NEW RELEASE – KASSIDAT: Raw 45s from Morocco


I’m happy to announce the release of KASSIDAT: Raw 45s from Morocco, an LP project I put together for Dust-to-Digital. Hypnotic and trance-inducing grooves from what I call the “Golden Age” of the Moroccan record industry, the period beginning in 1956 when Morocco gained its independence, until the 1970s. It was a time when many locally-owned record labels flourished, thanks, in part, to the inexpensive 45 rpm format. Most of these companies were based in Casablanca, but they released hundreds of 45s of authentic, hardcore folk music from all over Morocco. KASSIDAT is the third in a series of Dust-to-Digital LPs that explore similar locally-controlled record scenes around the world during the 1950s and 1960s. The first two in the series was LUK THUNG: Classic & Obscure Recordings from the Thai Countryside, followed by Chris Menist’s QAT, COFFEE & QAMBUS: Raw 45s from Yemen.
I designed this one and wrote the notes with a lot of help from Ayyoub Ajmi (www.settatbladi.org) and Tim Abdellah Fuson (moroccantapestash.blogspot.com). Be sure to check out their excellent web stuff for deeper diving. The recordings were mastered by Michael Graves (www.osirisstudio.com). Thanks to Dust-to-Digital for continuing to support these projects.


Digital Download Here


Philips 78562

As promised, here’s another great 78 from Morocco. Al-aita is the music of the urban and rural poor and is found generally in central Morocco. This recording is typical of the style, driven by raspy fiddle played upright on the knee, drums such as ta’rija and darbuka, and the call and response of the Cheikhates, the female singers that front the group. As with female performers elsewhere in North Africa, such as the cheikhat of Algerian rai, the cheikhates in Morocco suffer shame and are regarded as outcasts due to their transgression of social and religious roles. This record was released on Philips around 1950.